Of town-folk and puffy egos
Over the weekend, I was
invited to the just concluded Bayimba International
Festival of the Arts 2015 in Kampala, to constitute part of a panel of five tasked
with guiding discourse at a 'Poetry Symposium', on the art and its place in emerging African polities.
The audience was a
conflation of art-savvy folks; practitioners and promoters, as well as the
odd, curious, clueless onlooker.
This blog-comment is
inspired, or rather provoked, by a stray statement made by a passionate
audience-participant during the feedback session at the end of the discussion.
In responding to how art
could be packaged to appeal to the broader sections of society, coupled with
the removal of its arcane trappings – this commentator argued how
art (and particularly poetry), is supposed to be a force for social change,
with the foreseeable benefit of ‘lifting’ the rural-masses of Africa
up to the ‘enviable living-standard’
of metropolis denizens like ourselves, the symposium's patrons.
While at first the
comment infuriated me, for its condescension if not its outright
sanctimoniousness; the angst soon abated and was replaced by a mellow pity.
Pity - for the
vainglorious, stale-cultured, mind-automated, parochial and overly arrogant
town-dweller who thinks himself superior to the simple rural-person in his rustic,
manual and un-inhibited world.
The comments got me to
thinking how misguided and even foolish we town-dwellers can be in evaluating the
essential value of life and its experiences; ignoring simple fundamentals like community-centered
happiness, health of family relations, mutual-trust and good-will; in our
blind-haste to apply mindless slogans and indices like GDP, Per Capita,
Productivity, growth rate etc. etc.
While the native in Arua, Gomba and Kisoro is primarily concerned and largely content with ploughing
the earth for only as much as his family needs, harvesting crop with his neighbors,
having brew in his pot, and dancing or fabling at the communal fireplace –
the 'cityman' is insatiable in his appetites.
He seeks to constantly
prove superiority over his fellows; a grander car, a bigger house, a sexier
wife – his motto in life seems to be basic –
outwit, outgun, outlive everybody else!
And it is very difficult
to show this African ‘city-man’ how narrow his world is
if he constantly thinks that happiness lies in watching European Club football
every weekend, ensuring his wife’s nails are manicured and her hair permed, and
buying plastic toys for his children to amuse themselves.
This city-man is often
oblivious of the fact; that unlike the ‘villager’
whose meals are fresh, un-salted and organic, whose water is a pure gift from
the depths of the earth and children more inventive because their play-ground
is the entire village; his is a constricted world that limits his as well as
his family’s potential.
In the rurals, children of both rich and 'poor' play barefoot in the open fields; rolling in dark loamy soils and splashing about in clear streams. The greatest risk to play is a thorn stuck in a foot.
The town-man's children however, if he is a high-ender, have nothing but a few square-meters of concrete to play on, where the slightest fall implies an open sore; and if he is a low-ender living in the slum - the children's play things are essentially pieces of broken glass, sewer water and used condoms!
In the rurals, children of both rich and 'poor' play barefoot in the open fields; rolling in dark loamy soils and splashing about in clear streams. The greatest risk to play is a thorn stuck in a foot.
The town-man's children however, if he is a high-ender, have nothing but a few square-meters of concrete to play on, where the slightest fall implies an open sore; and if he is a low-ender living in the slum - the children's play things are essentially pieces of broken glass, sewer water and used condoms!
The city-dweller often
lives in neighborhoods rife with insecurity and paranoia –
where people fence and gate themselves in because they distrust and mistrust
all others; where husband and wife use separate bedchambers, and children meet
their fathers once a month.
The town-man lives in
over-crowded cities where the air is one envelope of a foul miasma, where the
water is poisoned both by the home’s in-hygiene and the water-works' chemicals; where the next person he meets along the street may clobber him to
death, where his children must play indoors – behind walls and gates,
lest they are molested or decapitated.
But seriously, there should be huge billboards at the points where the major highways connecting from the hinterlands join the city - at Spear Motors, Kyengera or Kawempe - reading;
'' Welcome to Kampala - where living is one endless purchase ...''
But seriously, there should be huge billboards at the points where the major highways connecting from the hinterlands join the city - at Spear Motors, Kyengera or Kawempe - reading;
'' Welcome to Kampala - where living is one endless purchase ...''
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Hmmm - oba nsabbe gavumenti enyambe? |
African towns are nothing
but hell-holes of rape, theft, hatred, mistrust and poisoned water and air.
And yet we, arrogant 'urbanites',
have the effrontery and trenchancy to say we are better than the 'ruralites', simply because we can wear a pleated-skirt and polo-sweater to a cocktail party
at the Sheraton, buy a few tablets of Swiss-chocolate for the girls we court,
and wear red or blue nylon shirts branded with European Football Club insignia over the weekend!
I say –
baloney!
The passion in this article talks volumes. I am so impressed. (I read it with a dictionary nearby).
ReplyDeleteThank you for that kind comment. :-)
DeleteBaloney...indeed,To think that happiness can be rated on the little machinated indulgences town folks have come to call a life style. I grudgingly could use fresh air,fireplace stories and above it all a life with no vanity to compete for.Or how we miss the simplicity of a normal life!
ReplyDeleteA poetess friend of mine calls it - 'The mass delusion of machination ..' ;-)
DeleteThat is why I am never coming out of my hole in Rakai. All things aside, your painting Oh Picasso! takes the bejeweled crown!!! It belongs to the Louvre!
ReplyDelete